Seventeen
The Seventeen installation by Nils Völker consists out of seventeen white cushions made from Tyvek hanging above the visitors heads in the exhibition “Scheinwerfer” at the Kunstmuseum Celle.
The Seventeen installation by Nils Völker consists out of seventeen white cushions made from Tyvek hanging above the visitors heads in the exhibition “Scheinwerfer” at the Kunstmuseum Celle.
This paper presents a number of novel computational and robotic fabrication techniques in designing, cutting and positioning. These techniques were explored through the robotic fabrication and assembly of a double-curved reciprocal frame wall.
The Rain Amplifier by Matthijs la Roi Architects is a cedar-clad rain sculpture and stage, situated in the Catholic forest environment of Sint-Arnolduspark, Belgium.
In this research by Bojan Tepavčević, Vesna Stojaković and Dejan Mitov, authors present a design for a mass customization online 3D model for deployable emergency shelter that automatically provides drawings for CNC machines.
South Korean designer Bae Se Hwa steam bent hundreds of slender walnut slices to create the sinuous chairs, benches and desks that feature in this exhibition at New York gallery R & Company.
In this thesis by Jiani Zeng, author proposed to get away from surface obsession in object and industrial design, by adding another dimension to the material interface. By embedding information into three-dimensional matter, she introduced volumetric material.
Disney Research Group proposed a comprehensive approach to characterizing the mechanical properties of structured sheet materials, i.e., planar rod networks whose mechanics and aesthetics are inextricably linked.
Fragments is an interactive installation by Random International. Almost two hundred identical, small mirrors are arranged in a grid to form a flat, homogenous surface.
During milan design week 2015, acclaimed Japanese architect Kengo Kuma has collaborated with Kitchenhouse to produce ‘Irori’, a contemporary kitchen space that represents a new way of living.
This paper by Brandon Clifford and Wes McGee proposes to use a particle-spring system in response to a desired form in order to generate a variable-volume, compression-only structure fabricated of volumetric material.
Naturally occurring branching tree forks seem to exhibit outstanding strength and material efficiency. This thesis by Ishani Desai advances the use of tree forks as a natural connection in structures through two specific contributions.
This paper by Pablo Baquero, Victor Calixto, Affonso Orciuoli and Charles C Vincent explains how parametric methods are informed by simulation and prototyping, methods that were deployed during some series of digital fabrication workshops.
Versus by David Letellier is a sound installation consisting of two kinetic sculptures placed face to face. Each sculpture is made out of 12 triangular panels, hinged and powered by six linear actuators, controlled by a specific program.
This doctoral thesis by Jonas Runberger is situated within the digital design field of architecture, and is a continuation of the licentiate thesis Architectural Prototypes: Modes of Design Development and Architectural Practice.
A renewed interest in stereotomy, narrowly entwined with digital technologies, has allowed for the recovery and proposal of new techniques and expressions in this building approach.
This paper will explore how the Dougong components could be reinvented through the use of parametric tools and robotic fabrication methods and thus applied to contemporary architectural structures.
In this paper an `Interactionist’ model of cognizant architecture is proposed as a method of investigating the development process by inverting the conventional concept of maze design.
30″ x 30″ Lotus kinetic sculpture wall art in malachite and chocolate by Carved Lake Art. With a flick of the wrist this sculpture produces amazing patterns whether you turn them in the same or opposing directions.
Invited by curator Alejandro Zaera-Polo, Dirk Hebel’s chair and the Block Research Group designed MycoTree, a naturally grown mycelium structure, for the Seoul Biennale for Architecture and Urbanism 2017.
Iridescence is a 3D-printed, interactive Emotive Collar by Behnaz Farahi, inspired by the gorget of the Anna’s hummingbird. It is equipped with a facial tracking camera and an array of 200 rotating quills.
This research study by Waleed Hussein Ali Hussein focuses on parametric design as a leading global trend in many fields, including simulation, locomotion, industrial design and, most importantly, architecture and urbanism.
God’s eye is the winning proposal at the Sukkahville 2013 design competition by two students Christina Galanou and Chrystalla Koufopavlou of the University of Nicosia in Cyprus.
Cellular Complexity “EVOLVE” is an installation, which exhibits the potential of cellular geometries at a spatial architectural scale. The complex, twisted geometry was generatively designed and digitally fabricated.
The salient observation about the natural world’s smallest lifeforms provides designer Lilian van Daal the framework for exploring the functional forms of unicellular micro-organisms and turning it into, Radiolaria #1.
Two hundred and seventy white garbage bags hang like ghosts in the columned hall of Vienna, Austria’s Museum für agewandte Kunst (MAK) for the exhibition Sagmeister & Walsh: Beauty. The piece is by Nils Völker, and is titled.
Japanese architect Kengo Kuma and Australian artist Geoff Nees have created a tactile, circular pavilion using timber collected from Melbourne’s Royal Botanic Gardens. Botanical Pavilion slots together like a puzzle without the need for metal supports.
This paper focuses on the impact and possibilities of folding principles from origami for the digital design process in using parametric software to generate integral and adaptive systems within an experimental and intuitive design approach.
Juraj Kotian created an installation that would react to movement. The closer the viewer gets to the structure, the closer is gets to him. Once the viewer crosses a specific boundary, it goes back to its starting position to literally escape from the viewer’s touch.
The facade of a cooling tower was covered with 10,000 hinged metal channels that fill with water and tip either left or right. When they tip they spill water into the center of the channel below which then tips either left or right.
During the Contemporary Culture Forum White Night, an architecture, light and sound installation Parametric Glacier was on display at the Dome Cathedral garden in Riga.