Complexity of Timber Gridshells

This research by Philippe Charest, André Potvin, Claude Demers, and Sylvain Ménard develops an analytical exercise that identifies achievable levels of timber gridshell complexity aiming to generate recommendations to design more accessible constructive systems.

Table of Contents

Assessing the Complexity of Timber Gridshells in Architecture through Shape, Structure, and Material Classification

Philippe Charesta, André Potvina, Claude M. H. Demersa, and Sylvain Ménardb
1School of Architecture, Laval University, 1 Cote de la Fabrique, bureau 3210, Quebec City, Canada
2Department of Applied Sciences, University of Quebec in Chicoutimi (UQAC), 555 Boulevard de l’Université, Saguenay, Canada

New possibilities offered by recent modelling software allow the design of organic shapes that are appealing to architects and engineers but may encompass serious issues such as an overconsumption of materials.

In this context, there is a renewed interest in systems allowing the materialization of curved surfaces such as timber gridshells, which can be defined as shells with their structures concentrated in strips.

However, gridshell design becomes highly challenging if complex grid configurations and new material possibilities are combinedly explored with form generations.

These upheavals highlight the need for a classification system to seize the potential and the limitations of timber gridshells to address complex geometries.

The classification of 60 timber gridshells enables a critical examination in the course of the ceaseless quest for complexity in architecture by evaluating current building possibilities and predict future building opportunities in terms of form, structure, and materiality.

The recent democratization of powerful modelling software allows architects to explore a broad range of complex shapes, structures, and materials. In this context, digital architects suggest an alternative to the perception of form by advocating curvilinearity.

Because CAD software continues to change how architecture and structures are designed, planned, and built, it is fair to expect an increasing number of projects with free-form geometries.

However, the use of traditional constructive techniques in the realization of curved shapes may result in inflated budgets, extended schedules, and increased material consumption.

Thereby, there has been a quest for complexity that is characterized by a holistic architecture of depth and pluralism.

Elastic gridshells are characterized by a flat grid made of unbent continuous laths, which is subsequently deformed into the desired shape.

The advantage of this system lies in the materialization of curved shapes using straight members with standard wood sections and unique connectors.

The Weald and Downland gridshell is a well-known contemporary example, but its erection has implied, among other limitations, the need for a large construction site for on-site manufacturing and a slow phase of construction due to the difficulty to manipulate the flat mat using straps and scaffoldings.

Rigid gridshells are made with relatively short elements fabricated off-site and assembled to each other on-site into a discrete grid. This technique might appear accessible since it replicates a traditional way of erecting a structure, especially for apparent simple forms and grids such as the roof of Crossrail Place, Canary Wharf in London.

Nonetheless, in this project, the axis of each successive element twists slightly around the roof; the angles at the nodes become more acute and asymmetric creating a broad range of diversified steel node connections.

Thus, even if irregular grids can offer more structural redundancy, they generally increase the challenge of components manufacturing.

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