In July 2006, Argos by MGP Arquitectura y Urbanismo is the winner of an architectural contest, for the resolution of a “skin” for a technical building. MGP designed 2 great format prefabricated pieces placed in a way to simulate a texture.
This paper by Hanaa Dahy, Piotr Baszyński and Jan Petrš presents a process of realizing an experimental structure made from biocomposites which were synthesized from lignocellulosic flexible core reinforced by 3D-veneer layers.
Interior architect Michelle Wempe of Zumahoo discovered the technical capabilities of the company Concretworks and with it how to create a three-dimensional architectural panel, creating a semi-opaque divider.
The facades of the new exhibition hall are essential to the overall design by Lacime Architects with the most notable characteristic being the elegant and dynamic effect of the facade which appears as a ‘rising curtain.’
The design of Sousse and Bardo Memorial by George King Architects was inspired by the fluid geometry of flowing water, frozen in place. At the centre of the memorial is a sculpture titled ‘Infinite Wave’’ which recreates a single wave.
The form for the façade by Crawford Architects was derived from metal oxidation patterns inspired by those found on Zahner’s campus. A computer based algorithm converted the sketch’s tonal values into a 3-dimensional digital surface model of the façade.
S2OSB by BINAA – Building INnovation Arts Architecture is a pioneering management building, headquarters and conference hall. Uniting the vision of the client, it is also an iconic structure in the area, engaging people into a new way of looking.
Timelapse from a workshop building an asymptotic timber gridshell in the shape of an Enneper surface. It was organised in the course Digital Tools – Parametric Design for students at the program Architecture and Engineering at Chalmers University.
Wrapped in a latticed glass and steel skin, this ring-shaped building by architecture studio BIAD UFO provides the new headquarters for Chinese broadcaster Phoenix Television. Beijing Institute of Architectural Design and UnForbidden office designed this Center.
FXFOWLE Lounge by FXFOWLE Architects, features a free-standing architectural pavilion. The pavilion which pairs technologically-sophisticated scripting software with simple museum board, comprises 180 varying segments.
Argentinian firm EFEEME Arquitectos latest project, PICCA, is a small retail store in the city of Villa María, Córdoba. 1954 broomsticks were used to create a sculptural wood ceiling installation.
A deep facade of wooden blades, designed in a wave-shape by Project Meganom, gives the building dynamics, while remaining stable.
The SZU pavilion is the result of a semester long module collaborated between HKPDA and Shenzhen University. The geometry is generated through Grasshopper Plugin: kangaroo, a force simulation software.
Canadian studio UUfie created a pixellated physical appearance for the facade of this Shanghai boutique by adding rows of translucent glass cubes that light up at night like a big screen. Glass blocks are organized in a meticulous gridded pattern across the walls of the constructing.
This massive, room-filling paper ‘chandelier’ designed by Cristina Parreño Architecture in cooperation with a team from MIT (James Coleman, Sharon Xu, Koharu Usui, Natthida Wiwatwicha and Hannah Ahlblad), capitalizes on surface geometry. Installed and displayed at the ARCOMadrid art fair in Spain.
Frank Gehry (or better Craig Webb and Claire Imatani of Gehry Partners) designed the visitors bench for the world company building in Tokyo, Japan. The bench was manufactured by Tomas Osinski design inc., an architect-sculptor who long worked for Gehry.
Ball-Nogues studio has completed the ‘healing pavilion’, a structure that provides shade and seating within the new garden of a Los Angeles hospital. the pavilion was created using 2,793 linear feet of 2-inch diameter mild steel tube.
New York design studio The Very Many has built a white orbed pavilion in Charlotte, North Carolina with bulbs shaded soft blue and pink inside. Pillar of Dreams is a 26-foot-high (eight-metre) structure made from two layers of thin aluminium.
Archistroj design studio has recently completed the interior design project of an apartment in Prague. The parametric interior of the apartment is optimized using algorithms based on the user’s lifestyle. The resulting design is particularly interpreted through organically shaped build-in furniture.
In the context of a research project by Katja Knecht at the Bauhaus-University Weimar concerned with the development of a creative evolutionary design method for layout problems in architecture and urban design.
This dissertation “An Evolution-Based Generative Design System: Using Adaptation to Shape Architectural Form” by Luisa Gama Caldas dwells in the interstitial spaces between the fields of architecture, environmental design and computation.
Based on the concept of listening to the sounds of the ocean inside a shell, STUDIOKCA, commissioned by NASA, has created the NASA Orbit Pavilion to immerse visitors in the sounds of satellites orbiting in outer space.
Liyang Museum is located in the southeast corner of Yan Lake Park in the new urban district, connecting an urban public space to the new nature. The organic lines and undulating mountains compose melodious music in the mountain forest.
Sirius Lamp by Luis Vanegas is a parametric cardboard lamp and creative sculpture for designing any space.
This cans pavilion was made during the Bat-Yam International Biennale of landscape urbanism in Israel. The palm trees bestow an ambiance of fantasy designers chose to further emphasize by using shiny tin cans as building blocks; city conservation using a familiar household material in a new context.
Ron Resch tessellation and curved version by Mike Tanis
A group of 11 undergrad students from Tecnologico De Monterrey Campus Monterrey have constructed a Parametric Pavilion as a final exercise for the semester. The project started with an algorithm created by one of the students were a pyramidal shaped component.
This project by Pedro Garcia Martinez is composed of 1933 Aluminum cylinders and 4523 meters of metal wire which formed a surface that rises where an important object is exhibited and descends for example in circulation areas.
Meandering down a section of Robson Street on the iconic 800 block in downtown Vancouver, passers-by can sit, relax, play, and socialize on the “Urban Reef” installation designed by Kaz Bremner and Jeremiah Deutscher.
Gigantic tree-like columns support the overhanging roof of the Qatar National Convention Centre by Japanese architect Arata Isozaki. The building was designed by Arata Isozaki to reference the Sidrat al-Muntaha, a holy Islamic tree that is believed to symbolise the end of the seventh heaven.