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Guinness World Records has awarded the title of "largest 3D printed structure" to VULCAN, a temporary pavilion designed by the Beijing-based Laboratory for Creative Design (LCD). Made up of 1023 printed segments, structure was 9.08 meters long.

In July 2006, Argos by MGP Arquitectura y Urbanismo is the winner of an architectural contest, for the resolution of a “skin” for a technical building. MGP designed 2 great format prefabricated pieces placed in a way to simulate a texture.

Created by TODO and LEVA for the control room of Enel’s pavilion at Expo Milan 2015, this project equivalates the high-tech environment that surrounds it. The “kinetic wall” consists of 127 motorised mechanical elements, each individually controlled in real time.

New Fundamentals Research Group, in partnership with S.N.B.R., designed and fabricated a stone vaulted pavilion for Rocalia, a natural stone fair held in Lyon. The structure’s foundation is a network of catenary curves which inform the vaults.

Based on the findings of the elective course "The Programmed Column 1",the students of Gramazio Kohler Research at ETH Zurich were challenged to design and fabricate 3 prototypical brick columns of 4m height each within a 4 week workshop.

Interior architect Michelle Wempe of Zumahoo discovered the technical capabilities of the company Concretworks and with it how to create a three-dimensional architectural panel, creating a semi-opaque divider.

Taekyeom Lee is a designer and researcher taking pottery into the future. He taught himself to build and use a 3D printer with no prior background in robotics. He used it to create 3D-printed ceramic pieces.

The facades of the new exhibition hall are essential to the overall design by Lacime Architects with the most notable characteristic being the elegant and dynamic effect of the facade which appears as a ‘rising curtain.’ 

Nassia Inglessis is an artist and designer. Her sculpture, "Disobedience" was built over 9 months by her and a team of engineers. The piece is 56 feet long, about 10 feet tall, and can expand up to 5 feet as it engulfs its visitors when they walk through it.

The design of Sousse and Bardo Memorial by George King Architects was inspired by the fluid geometry of flowing water, frozen in place. At the centre of the memorial is a sculpture titled ‘Infinite Wave’’ which recreates a single wave.

Matrix by Leva is made of fifteen columns -  3.5 meters tall - counting three 32'' monitors each (45 monitors in total); every monitor is individually controlled by a stepper motor that makes it slide up and down on a rail by belt transmission.

A soft and open mesh fabric turns into a spacious chair by a synthesis of constructive folding and hardening. Inspired by the carpet production process, Studio Samira Boon designed the chair based on the same principles.

Reef redefines the role of architectural envelope by capitalizing on emerging material technology to imbue space with behavioral qualities. A category of metals that change shape according to temperature, offer the possibility of efficient fluid movement.

The form for the façade by Crawford Architects was derived from metal oxidation patterns inspired by those found on Zahner’s campus. A computer based algorithm converted the sketch’s tonal values into a 3-dimensional digital surface model of the façade.

Awakened 1 by Breakfast is made up of 168 Brixels (a mechanical medium BREAKFAST created), each with a mirrored and black side. The piece is an exploration of human interaction with a robotic medium.

Neri Oxman and MIT have developed programmable water-based biocomposites for digital design and fabrication. Named Aguahoja, the project has exhibited both a pavilion and a series of artifacts constructed from molecular components.

Cozi studio debuts with textural 3D printed focus lamps. Selective laser sintering is an additive 3D printing process that uses a high-power laser to sinter powdered material — typically plastic or metal — into a three-dimensional form.

S2OSB by BINAA - Building INnovation Arts Architecture is a pioneering management building, headquarters and conference hall. Uniting the vision of the client, it is also an iconic structure in the area, engaging people into a new way of looking.

Helio Curve is a kinetic sculpture by Reuben Margolin created for Hyundai Motor Company. It has two mechanical drives located 65 feet apart the ground. These produce continuously varying motion, which is translated through strings.

Steampunk is a pavilion constructed from hardwood using hand tools augmented with the precision of intelligent holographic guides. Designed by Gwyllim Jahn, Cameron Newnham (Fologram), Soomeen Hahm Design and Igor Pantic with Format Engineers.

Created by designer Carolien Laro, the seating chattels are really made from wood and they will really flex when you sit on them.

Timelapse from a workshop building an asymptotic timber gridshell in the shape of an Enneper surface. It was organised in the course Digital Tools - Parametric Design for students at the program Architecture and Engineering at Chalmers University.

To design a kinetic table Haeyoung Kim chose origami as a concept. Paper contains fibers and they are entangled with each other which make them possible to stay together without any additional medium.

Pendulum Casa V by ART+COM Studio is a kinetic sculpture created for the private residence of an art collector in Mexico City. Situated in an inner entrance area of the house, the sculpture moves through a vertical void between the ground and first floors.

Wrapped in a latticed glass and steel skin, this ring-shaped building by architecture studio BIAD UFO provides the new headquarters for Chinese broadcaster Phoenix Television. Beijing Institute of Architectural Design and UnForbidden office designed this Center.

Designed by MEAN* for Dubai International Financial Center, Deciduous is a 3D printed pavilion that invites us to revisit our relationship with nature, through an experience reminiscent of walking through an abstracted botanical form.

NASA are stepping straight into the future of textiles with their 4D printed ‘space fabric’—a metallic material intended to be used like ‘chain mail’ to protect astronauts and spacecraft alike during their missions.

The EQ Teaser was designed by Atelier Markgraph (Christoph Diederichs). wirmachenbunt (Christian Engler) developed the software, interaction and motion graphics.

Snapping Façade by Dioinno Architecture PLLC explores a sustainable building envelope design strategy that utilizes elastic instability to create dynamic motion at the building envelope.

The 'Swarm Light' by rAndom International is an experimental light installation with a real ‚collective consciousness' that subtly reacts to the viewer's audible presence.

Mobius Nautilus by Joaquin Baldwin is a compound mobius strip created out of 36 interlocking mobius strips. They weave and interlock perfectly through the spaces left between them.

Firewall is an interactive art installation created by Mike Allison and Aaron Sherwood. When the membrane is touched, the lines dance like fire, rippling in reaction to the movement of the user’s hand.

Articulated Timber Ground is a public pavilion designed and built by a group of Master in Architecture students at the University of Melbourne. Consisting of 1,752 components, the pavilion changes its form throughout the sections.

FXFOWLE Lounge by FXFOWLE Architects, features a free-standing architectural pavilion. The pavilion which pairs technologically-sophisticated scripting software with simple museum board, comprises 180 varying segments.

Argentinian firm EFEEME Arquitectos latest project, PICCA, is a small retail store in the city of Villa María, Córdoba. 1954 broomsticks were used to create a sculptural wood ceiling installation.

The F2 Pavilion was designed and fabricated by University of Texas San Antonio (UTSA) College of Architecture’s graduate students under the direction of Andrew Kudless, Director of Matsys.

"Echo" by Breakfast is a multi-sensory experience that visualizes real-time data occurring on social media through ripples that move across the surface. As the amount of social posts changes, it will impact the clarity of your portrait.

A deep facade of wooden blades, designed in a wave-shape by Project Meganom, gives the building dynamics, while remaining stable.

Designer Julia Ibbini is interested in human and machine collaboration in a traverse of analog and digital to create work with highly detailed machined precision, but which remains distinctly human in origin.

The SZU pavilion is the result of a semester long module collaborated between HKPDA and Shenzhen University. The geometry is generated through Grasshopper Plugin: kangaroo, a force simulation software.

Crysalis (III) is a sculptural piece that explores cellular morphologies using parametric tools and composite materials. Designed and built by MATSYS, the sculpture takes direct inspiration from the organization of barnacle-like cells.

Project EGG is made from 4,760 individuated pieces, which have been made by hundreds of desktop 3D-printers from all over the world. Conceived and organized by furniture designer Michiel Van Der Kley, the irregular ellipsoid form measures roughly 5 x 4 x 3 meters.

Zaha Hadid Architects has a way of designing buildings so intricate and complex that the photographs look like renderings rather than completed architecture. Their latest unveiling is Morpheus, the flagship hotel for the City of Dreams resort in Macau.

The California-based Emerging Objects team has created Bloom, a pavilion constructed from 840 unique blocks 3-D printed from portland cement. The 9-foot (2.7 meter) tall pavilion is cruciform in plan, morphing as it rises to become the same cruciform shape twisted by 45 degrees.

The project “Responsive Surface Structure” by Steffen Reichert is based on an experimental, inductive design approach. The project aims at creating a differentiated skin structure that can change its porosity in response to changes in ambient humidity and moisture.

Canadian studio UUfie created a pixellated physical appearance for the facade of this Shanghai boutique by adding rows of translucent glass cubes that light up at night like a big screen. Glass blocks are organized in a meticulous gridded pattern across the walls of the constructing.

Marc Fornes / The Very Many designed a large-scale sculptural outdoor pavilion on the elevated plaza of the Suzhou Center in China, as part of the Jinji Lake Biennial. Named ‘Boolean Operator’, the installation has been crafted from white aluminum.

This massive, room-filling paper ‘chandelier’ designed by Cristina Parreño Architecture in cooperation with a team from MIT (James Coleman, Sharon Xu, Koharu Usui, Natthida Wiwatwicha and Hannah Ahlblad), capitalizes on surface geometry. Installed and displayed at the ARCOMadrid art fair in Spain.

Part to Whole by HG-A | LIVE COMPONENTS is ‘space’ defined by the whole came from the flow of repetition. The set of circles moving along the curve constructs continuous void space. It digs the specific volume out of the cube, which maximizes available space and minimizes materials at the same time.

Frank Gehry (or better Craig Webb and Claire Imatani of Gehry Partners) designed the visitors bench for the world company building in Tokyo, Japan. The bench was manufactured by Tomas Osinski design inc., an architect-sculptor who long worked for Gehry.

Ball-Nogues studio has completed the ‘healing pavilion’, a structure that provides shade and seating within the new garden of a Los Angeles hospital. the pavilion was created using 2,793 linear feet of 2-inch diameter mild steel tube.

Trabeculae Pavilion by WASP is a lightweight architecture completely 3D printed that fuses advancements in 3D printing with bio-inspired computational design. The synergy of design, material and manufacturing technologies allowed the conceptualization of an innovative construction technique.

Bow is the result of Zaha Hadid architects’ extensive research with 3D printing and material experimentation. It’s biodegradable, and machine-optimized, printed with a pellet-extruder (meaning, they employ plastic particles rather than filament), and colored in such an adaptive way.

French designer Patrick Jouin's Bloom Table Lamp opens up right in front of your eyes. The lamp 3D printed as a single piece, including hinges, and it allows the user to control the amount of light. When closed, the lamp emits a soft glow perfect for accent lighting.

Water Ripples is a kinetic sculpture designed to celebrate the beauty and power of water, surrounding visitors in waves in response to donations made to the water access charity. It is composed of 600 handmade water droplets, controlled by custom designed motorized winches.

The Fractals Workshop is based on generative growth of natural systems, mathematics and algorithm-based aggregation. This workshop is an adaptation of the teaching methods practiced at the Design Research Lab at the AA School of Architecture.

New York design studio The Very Many has built a white orbed pavilion in Charlotte, North Carolina with bulbs shaded soft blue and pink inside. Pillar of Dreams is a 26-foot-high (eight-metre) structure made from two layers of thin aluminium.

DoubleMesh by deskriptiv is an application prototype that encapsulates a generative system which enables the easy creation of interwoven structures. The digitally woven structure does not require much build material. This makes such objects ideal for 3D printing, since big objects can be produced at low cost.

MorphoLuminesence by Project One Studio is a kinetic ceiling prototype that reacts to people standing and moving beneath it. Sensors detect speed and direction of people in relation to the piece. If a user stands still for a long enough period of time, the petals will retract into the completed surface.

Dutch designer elleke van gorsel, founder of studio-eposh designed 3D printed delft blue jewelry collection. Each design is printed and hand-dyed and finished by the designer. Like other studio-eposh products, ‘delft blue’ is 100% sourced and locally made in the Netherlands.