Plywood Pavilion
A 3019 piece non-hierarchical surface structure extends in three parts through the atrium of the architecture school at University of Nottingham, shaping the spatial configuration of the 2014 Graduate Exhibition.
A 3019 piece non-hierarchical surface structure extends in three parts through the atrium of the architecture school at University of Nottingham, shaping the spatial configuration of the 2014 Graduate Exhibition.
This paper by Oliver David Krieg and Achim Menges presents current research into architectural potentials of robotic fabrication in wood construction based on elastically bent timber sheets with robotically fabricated finger joints.
Emerging Objects designed the physical representation of Berkeley—Rupp Prize for Architecture. It is a 3d object fabricated under the new paradigm of additive manufacturing to represent a new worldview about the role of architects in society.
Tokyo’s Kabuku Inc. has released a new, wood-like 3D printing material at their Rinkak Marketplace. This wood like material is made from wood chips and features a warm appearance, but requires that 3D models be built with added thickness.
The structural design of ‘Exoskeleton’, a pavilion exploring the possibilities of computer-aided manufacturing in prototyping, is a proposal by students of University of Ghent that addresses full-scale construction with limited resources.
Seed and Signal by Hypersonic is a kinetic sculpture that explores the dynamics of group behavior. In nature, individuals that crowd together often exhibit dynamics whereby tiny changes in behavior can alter the balance of the group between order and chaos.
Scale turns the acoustic wall panel on its ear. Designed as a university project by Vanessa Busemann and Felix Zebi with German design collective, Cabs Design, this modular wall system is made from cut and folded acoustic fiber composite.
Thomas Wing-Evans has created an interactive sound pavilion in collaboration with the DX Lab for the State Library of New South Wales in Australia, which takes paintings from the library’s collection and turns them into music.
William Root, a recent graduate from Pratt Institute in New York City, has developed a system to 3D print super-lightweight prosthetic legs with stealth styling. Called Exo, Root’s prosthetic concept combines his interests in aesthetics and biomechatronics.
Innoprom Kinetic Wall, RCC pavilion 2018 by Leva and TODO consists of 39 “petals”, which can move together in mesmerizing waves and open up dynamic “windows” for visitors to look through the wall.
Palestinian architects Elias and Yousef Anastas of AAU Anastas have recently completed a structure composed of hand-made olive wood modules. Karamba was implemented as a tool to analyze the structural performance of the piece.
This paper by Vasilija Abramovic, Ruairi Glynn and Henri Achten presents the preliminary results of the Roamniture Project, a hybrid approach to developing kinetic architecture based on a combination of rigid and soft body dynamics.
Silhouettes by BREAKFAST is a kinetic art that explores capturing the essence of people and creating a moment for reflection. As one looks upon the currently displayed silhouette, their own is captured and revealed.
The Picoroco Block™ by Emerging Objects is a modular 3D printed building block for wall fabrication printed from sand. Each block is 12″X12″X12″ and dimensional variability is possible using the 3D printing process.
The BUGA Wood Pavilion celebrates a new approach to digital timber construction. Its segmented wood shell is based on biological principles found in the plate skeleton of sea urchins, which have been studied by ICD and ITKE at the University of Stuttgart.
Breathing Wall by Najla El Zein is an interactive installation located at the entrance hall of a private residence in Beirut. It is a dynamic three dimensional wall surface composed of variable-sized diamond shaped modules with two facets, white and gold.
Water Reaction, a project by Royal College of Art student Chao Chen, is an to create a material that reacts to external conditions with no human input required. Unlike other more high-tech approaches to this idea, Chen was inspired by a pinecone.
Interactive Items made an installation with generative graphic for multitouch table. Tracking up to 60 objects of any kind placed on the panel. Effects are based on glsl shaders, edited and adapted for multitouch via processing.
The British artist Walter Jack, the founder of Walter Jack studio, presented a truly dynamic installation, ‘Crushed Wall’. The sensual 40-metre long, 3-metre high wall installation utilizes concrete material in such a way that it appears soft and malleable.
The research described in this paper by Sean Ahlquist et al. embeds properties of both elastic textile and bending-resistant composites within a single material structure. This is accomplished through a composite forming process.
“Swell” is a kinetic sculptural artwork by Dominic Harris for Royal Caribbean’s Spectrum of the Seas cruise ship. Inspired by the beauty of the body of water surrounding the ship, his artwork is always alive and in motion.
In July 2006, Argos by MGP Arquitectura y Urbanismo is the winner of an architectural contest, for the resolution of a “skin” for a technical building. MGP designed 2 great format prefabricated pieces placed in a way to simulate a texture.
Created by TODO and LEVA for the control room of Enel’s pavilion at Expo Milan 2015, this project equivalates the high-tech environment that surrounds it. The “kinetic wall” consists of 127 motorised mechanical elements, each individually controlled in real time.
Benjamin Hubert, of design agency Layer, has come up with a modular acoustic partition system for Woven Image that’s incredibly flexible. Scale makes its debut as a sustainable option for creating workplace privacy and flexible spaces. It also provides audio absorption.
Based on the findings of the elective course “The Programmed Column 1”,the students of Gramazio Kohler Research at ETH Zurich were challenged to design and fabricate 3 prototypical brick columns of 4m height each within a 4 week workshop.
Nassia Inglessis is an artist and designer. Her sculpture, “Disobedience” was built over 9 months by her and a team of engineers. The piece is 56 feet long, about 10 feet tall, and can expand up to 5 feet as it engulfs its visitors when they walk through it.
The design of Sousse and Bardo Memorial by George King Architects was inspired by the fluid geometry of flowing water, frozen in place. At the centre of the memorial is a sculpture titled ‘Infinite Wave’’ which recreates a single wave.
Matrix by Leva is made of fifteen columns – 3.5 meters tall – counting three 32” monitors each (45 monitors in total); every monitor is individually controlled by a stepper motor that makes it slide up and down on a rail by belt transmission.
Curved-line folding is the act of folding a flat sheet of material along a curved crease pattern in order to create a three-dimensional shape. The pavilion presented in this paper by Stijn Brancart et al. integrates this principle in a kit-of-parts system.
A soft and open mesh fabric turns into a spacious chair by a synthesis of constructive folding and hardening. Inspired by the carpet production process, Studio Samira Boon designed the chair based on the same principles.